A painter, draughtsman, architect, archaeologist, and poet who captured in his art the human and the divine, love, friendship, learning, and power, who gave us quintessential images of community and civilisation: Raphael’s life was short, his work prolific, and his legacy immortal.
In the year that marks the 500th anniversary of Raphael’s death, the National Gallery will present one of the first-ever exhibitions to explore the complete career of this giant of the Italian Renaissance. In his brief career, spanning just two decades, Raffaello Santi (1483–1520) shaped the course of Western culture like few artists before or since.
This exhibition will examine not just his celebrated paintings and drawings - but also his not so widely known work in architecture, archaeology, poetry, and design for sculpture, tapestry, prints, and the applied arts. The aim is to do something no previous Raphael exhibition has ever done - explore every aspect of his multimedia activity.
The Credit Suisse Exhibition: Raphael will demonstrate why Raphael plays such a pivotal role in the history of Western art, and seek to understand why his work remains relevant to us today. There will be more than ninety exhibits, with focus on autograph works and those in media he did not practice himself but for which he provided designs.
Loans from across his entire career – many of them unprecedented – will be travelling to London from around the world, to join 10 works from the National Gallery’s outstanding collection of Raphaels. Lenders will include the Louvre, Musei Vaticani, Galleria degli Uffizi, National Gallery of Art (Washington DC), and the Museo Nacional del Prado.
Work and activities that cannot be represented by original exhibits – such as the monumental frescoed rooms in the Vatican Palace, known as the Stanze of Raphael – will be presented in other innovative ways.
For centuries Raphael has been recognised as the supreme High Renaissance painter, capturing visually our idea and ideals of the Renaissance.
Though he died at 37, Raphael's example as a paragon of Classicism dominated the academic tradition of European painting until the mid-19th century.
Raphael (Raffaello Santi) was born in Urbino where his father, Giovanni Santi, was court painter. He almost certainly began his training there and must have known works by Mantegna, Uccello, and Piero della Francesca from an early age. His earliest paintings were also greatly influenced by Perugino. From 1500 - when he was an independent master - to 1508 he worked throughout central Italy, particularly Florence, where he became a noted portraitist and painter of madonnas. In 1508, at the age of 25, he was called to the court of Pope Julius II to help with the redecoration of the papal apartments. In Rome he evolved as a portraitist, and became one of the greatest of all history painters. He remained in Rome for the rest of his life and in 1514, on the death of Bramante, he was appointed architect in charge of St Peter's.
The Museum of Fine Arts, Houston October 20, 2019–January 12, 2020 . • Berthe Morisot: Impressionist Original highlights Berthe Morisot’s approach to portraiture, her focus on the life of women in 19th-century Paris, and her role as one of the founding members of the Impressionist group. Berthe Morisot, At the Ball (Au bal), 1876, oil on canvas, Musée Marmottan Monet, Paris, gift of Victorine Donop de Monchy. Berthe Morisot, Woman with a Fan (Femme à l’éventail) , 1876, oil on canvas, private collection Berthe Morisot, Young Woman (Jeune femme), 1871, oil on canvas, the Museum of Fine Arts, Houston, Museum purchase funded by the Audrey Jones Beck Accessions
ALBERTINA Museum 22 February until 24 May 2020 The Hahnloser Collection came together between 1905 and 1936, initially on the basis of close and friendly exchange between the collecting couple of Arthur and Hedy Hahnloser-Bühler and artist-friends including Pierre Bonnard, Ferdinand Hodler, Henri Matisse, and Félix Vallotton. Later on, the collection also came to include works by their predecessors including Cézanne, Renoir, Toulouse-Lautrec, Van Gogh, and others. The ALBERTINA Museum’s ca. 120-work exhibition presents an overview of this internationally unique collection of modern art, with works on loan from the fine art museums Kunstmuseum Bern and Kunst Museum Winterthur additionally serving to illuminate this collection’s exemplary cultural policy aspect. Henri Manguin | Les Enfants Hans et Lisa Hahnloser , 1910 | Dauerleihgabe an Hahnloser/Jaeggli Stiftung, Villa Flora, Winterthur Foto: Reto Pedrini, Zürich Félix Vallotton Le chapeau violet, 1907 Dauerleihgabe a
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